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Me
and the others
My only constancy,
what could be the title of my life, is the urgency to dream. More
than a simple artistic process, it is a fundamental need which
nourishes me daily. I did not have a difficult childhood, but I learned
early to dream to survive the contemporary world which I always liked
hardly. Big nostalique of the imaginary worlds, I had several lives:
cowboy, secret agent, child of the jungle, super hero... (name them) fighting
the greatest gangsters, emperors and halfgods. The scientist needs to
scan the universe with a microscope to enlarge
the fields of knowledge; the politician must provide efforts to gain power;
the activist must go to barricades to protest; the worker must work to
earn a living for him and his family. Me, when I had to grow, while everybody
had both feet in reality, I secluded the ambiant world to better reinvent
mine.
Born in the far-west in 1972, I travelled all countries, got all
women of the earth and accomplished impressive feats. The invented worlds
cannot be all shared, and as in the best of case I try to keep them in
their purest state, protected from the world and preserved in my spiritual
envelope as unremovable tenants of my own person.
But for real fantasies taking form, I first had to place underfoot
in reality. Nothing would have occurred if I had stayed alone aboard my
imaginary racing car. My habitual dreamy fancies have not much
to see with my true life, because the solitary dreamer that I am
belongs only to myself. However the experience of reality the way I lived
them: studies, love, artworks, publications, art exhibitions, urban climbing
or trips around the world, everything took form from the contact of others.
Friends or acquaintances, it is to them that belong my achievements true
credit. Encounters have more importance than we could imagine and
we should not underestimate them. By opening to the one who is in front
of us, the whole world opens up, whatever if this person pleases
us or irritates us. This phenomenon directed my destiny and I barely begin
acknowledging it. I owe my life, my experiments and my art
to the others.
Dominique Desbiens,
2009
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